30 Mai 2015 "Uthal" of Méhul (title role) Opera de Versailles, Christophe Rousset.
September October 2015 "La Vestale" (Licinius) Royal Opera of La Monnaie
November December "Le roi Carotte" (Fridolin) Opera de Lyon new production
April May June 2016 "l'heure espagnole" (Gonzalve) Scala de Milano
After studies in sociology, Yann Beuron studied singing at the Conservatoire National Supérieur de Musique de Paris, with Anna Maria Bondi, and obtained first prize in 1996. In December 1995, he made his debut at the Opéra du Rhin as Belmonte in Die Entführung aus dem Serail, under the direction of William Christie.
The year following, he made his debut at the Palais Garnier in Paris in a new production of Rameau’s Hippolyte et Aricie. He returned to this theatre in 2004 to sing a new production of Ravel’s L’Heure Espagnole and in 2006 to sing a new production of Gluck’s Iphigénie en Tauride.
In subsequent years, his engagements rapidly increased: Cosi Fan Tutte (Bordeaux, Stuttgart), Idomeneo (Marseille), Don Giovanni (Lisbon), Il Barbiere di Siviglia and Mignon (Toulouse), Falstaff (Marseille, Festival d’Aix en Provence), La Cenerentola (Brussels, Lausanne), La Belle Hélène (Théâtre du Châtelet), Hamlet and L’Heure Espagnole (Royal Opera House, Covent Garden and recently in Stuttgart under Stéphane Denève), Dialogues des Carmélites (Theater an der Wien). In 2003, Yann Beuron made his debut in the United States with the San Francisco Opera (Barbiere).
In recent seasons, Mr. Beuron returned to the Paris Opera (Yvonne, Princesse de Bourgogne and Alceste by Lully) and to the Aix Festival (Idomeneo). He also made his debut at the Mozart Festwochen in Salzburg (Idomeneo), at the Teatro Real in Madrid (Iphigénie, Pelléas et Mélisande and La Clemenza di Tito) and at the Netherlands Opera in Amsterdam (Iphigénie), Bayerische Staatsoper in Munich (Dialogues des Carmélites), the Theatre Royal de la Monnaie (Pelléas et Mélisande, Au Monde by Boesmans).
A frequent guest soloist on the concert podium, he has performed with the Orchestre du Capitole de Toulouse, the Orchestre de Bordeaux-Aquitaine, the Ensemble Orchestral de Paris, the Orchestre Philharmonique de Radio France, the Rotterdam Philharmonic and the Swedish Radio Symphony Orchestra.
Mr. Beuron has recorded for DGG-Archive, EMI France, Virgin Classics, Erato and Philips Classics. His recent recordings include the third part of Fauré’s complete series (for Timpani) and L’Enfance du Christ under Sylvain Cambreling (for Glor Classics).
In the upcoming seasons, Mr. Beuron will be performing in Au Monde at the Opéra Comique, Spontini’s La Vestale in Brussels, Méhul’s Uthal in Versailles, Offenbach’s Le Roi Carotte in Lyon…
Since a few years, Yann Beuron is a frequent guest in Masterclass and Jury of singing, sharing its experience of opera singer's job and
recitalist which he exercices for more than twenty years.
At the same time as his soloist intense activity, private coaching, auditions, diverses interventions allow him to transmit and to exchange with
singer's generations to come.
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